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Marvel Fresh Start | Comentarios, Spoilers, Debate
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¡TODO FUE IDEA DE KEVIN FEIGE!
El artista Cody Ziglar revela que KEVIN FEIGE pidió que mataran a MS. MARVEL en los comics ya que necesitaba resucitarla como una mutante para hacer sinergia con el MCU.
El artista Cody Ziglar revela que KEVIN FEIGE pidió que mataran a MS. MARVEL en los comics ya que necesitaba resucitarla como una mutante para hacer sinergia con el MCU.
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The story came on the most recent episode of the Amazing Spider-Talk podcast, an interview between host Dan Gvozden and writer Cody Ziglar. Ostensibly there to promote Miles Morales: Spider-Man and Spider-Punk: Arms Race, Ziglar gets into his career on both sides of the fence, writing for the She-Hulk TV show and how that got him gigs co-writing the Beyond era of Amazing Spider-Man and eventually Miles and Hobie.
>A lot of that involved working closely with Zeb Wells, the current writer of Amazing Spider-Man and the writer of the issue where Ms. Marvel dies. As Ziglar tells it, the request to kill Kamala and resurrect her as a mutant came from Feige, the president of Marvel Studios.
>“It was funny watching when the whole Kamala stuff was going down,” Ziglar says in the interview. “He (Wells) had told me months before the plan, which was, Feige was like, ‘Hey, I don’t do this very often but, can you please do this to make things in line with Marvel because we have some stuff we want to do with Kamala,’ so he (Wells) was like, ‘F***, I’m the guy that drew the short straw? People are going to be very mad that I have to kill Ms. Marvel.”
>Ziglar goes on to say in the interview, “I felt bad for him (Wells) because people didn’t know that — she’s gonna quote-unquote ‘die’; it’s comic books, she comes back, of course — but you don’t realize that when she dies and comes back, the Ms. Marvel is gonna be writing her, so I remember when he told me that, I was like, ‘That’s so cool, people are gonna lose their minds. Well, they’re gonna lose their minds because she’s died, but also I think people are really gonna be excited because for the first time an MCU actor is gonna be actively participating in creating the lore of the character in comic books proper.”
>Jokingly, Ziglar recalls, “I was like, ‘Yeah, it sucks for you; I’m glad I don’t have to do that,’ but it was funny watching him get savaged online knowing that he’s the guy who had to answer the call of Daddy Feige to make this sacrificial play.”
>Asked for his thoughts on the revelation, Gvozden said, “I think we all thought that this death was done for brand synergy with the new The Marvels film and that with Krakoa about to fall apart, the timing on when to resurrect Ms. Marvel was closing. What surprised me, though, was that Feige had such a large hand to play over the comics, especially after the prevailing thought was that he was letting the comics basically do their own thing. As a Spider-Man podcaster, what upset me the most about how it was handled was that it disrupted a major Spider-Man story’s ending, shifting the focus away from successfully concluding a yearlong, major story just for brand synergy.”
>A lot of that involved working closely with Zeb Wells, the current writer of Amazing Spider-Man and the writer of the issue where Ms. Marvel dies. As Ziglar tells it, the request to kill Kamala and resurrect her as a mutant came from Feige, the president of Marvel Studios.
>“It was funny watching when the whole Kamala stuff was going down,” Ziglar says in the interview. “He (Wells) had told me months before the plan, which was, Feige was like, ‘Hey, I don’t do this very often but, can you please do this to make things in line with Marvel because we have some stuff we want to do with Kamala,’ so he (Wells) was like, ‘F***, I’m the guy that drew the short straw? People are going to be very mad that I have to kill Ms. Marvel.”
>Ziglar goes on to say in the interview, “I felt bad for him (Wells) because people didn’t know that — she’s gonna quote-unquote ‘die’; it’s comic books, she comes back, of course — but you don’t realize that when she dies and comes back, the Ms. Marvel is gonna be writing her, so I remember when he told me that, I was like, ‘That’s so cool, people are gonna lose their minds. Well, they’re gonna lose their minds because she’s died, but also I think people are really gonna be excited because for the first time an MCU actor is gonna be actively participating in creating the lore of the character in comic books proper.”
>Jokingly, Ziglar recalls, “I was like, ‘Yeah, it sucks for you; I’m glad I don’t have to do that,’ but it was funny watching him get savaged online knowing that he’s the guy who had to answer the call of Daddy Feige to make this sacrificial play.”
>Asked for his thoughts on the revelation, Gvozden said, “I think we all thought that this death was done for brand synergy with the new The Marvels film and that with Krakoa about to fall apart, the timing on when to resurrect Ms. Marvel was closing. What surprised me, though, was that Feige had such a large hand to play over the comics, especially after the prevailing thought was that he was letting the comics basically do their own thing. As a Spider-Man podcaster, what upset me the most about how it was handled was that it disrupted a major Spider-Man story’s ending, shifting the focus away from successfully concluding a yearlong, major story just for brand synergy.”
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*En Ultimate Spider-Man, que comenzó a publicarse en enero, al inicio de cada número se nos indica el mes en el que ocurren los eventos y estos van de acuerdo al mes de su publicación, siendo que el #3 ocurre en el mes de marzo.
*En Ultimate Black Panther no se indica el mes pero entre un número y otro se menciona que han transcurrido al menos 30 días
*En Ultimate X-Men, los eventos comenzaron en el mes de marzo, mismo mes de publicación, y de la misma forma en el #2 no se menciona el mes de abril pero vemos a Hisako asistir a su ceremonia de entrada de su escuela, la cual se celebra en Japón en el mes de abril.
*Al inicio de Ultimate Spider-Man #1 publicado en enero, vimos a Tony Stark enviarle la araña radioactiva a Peter Parker y menciona que él y sus compañeros tuvieron que ocultarse y volverán dentro de 6 meses, lo cual concuerda con el mes de junio, mismo mes donde se publicara el primer número de The Ultimates.
Si esta medida de tiempo real continua, significa que The Maker, Kang, Howard Stark y todos los demás atrapados en la bóveda del tiempo serán liberados en septiembre, 2025; cumpliendo así los dos años que durarían encerrados y cuando podríamos tener el primer evento de este nuevo universo.
*En Ultimate Black Panther no se indica el mes pero entre un número y otro se menciona que han transcurrido al menos 30 días
*En Ultimate X-Men, los eventos comenzaron en el mes de marzo, mismo mes de publicación, y de la misma forma en el #2 no se menciona el mes de abril pero vemos a Hisako asistir a su ceremonia de entrada de su escuela, la cual se celebra en Japón en el mes de abril.
*Al inicio de Ultimate Spider-Man #1 publicado en enero, vimos a Tony Stark enviarle la araña radioactiva a Peter Parker y menciona que él y sus compañeros tuvieron que ocultarse y volverán dentro de 6 meses, lo cual concuerda con el mes de junio, mismo mes donde se publicara el primer número de The Ultimates.
Si esta medida de tiempo real continua, significa que The Maker, Kang, Howard Stark y todos los demás atrapados en la bóveda del tiempo serán liberados en septiembre, 2025; cumpliendo así los dos años que durarían encerrados y cuando podríamos tener el primer evento de este nuevo universo.
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ALIENS VS AVENGERS', una nueva serie de cómics del escritor Jonathan Hickman y el artista Esad Ribic. Lanzamiento el 24 de julio.
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Hickman sugiere que la combinación tendrá más sentido de lo que parece. >"Probablemente una de las cosas más interesantes del proyecto es cómo hemos encontrado formas realmente divertidas de 'vengar' a los alienígenas y a los Vengadores 'alien-up'", dice Hickman. "Creo que los fans se sorprenderán de lo elegante que encajan algunas de esas cosas. Realmente resultó ser una situación de chocolate y mantequilla de maní". >La breve sinopsis de la trama del crossover dice: "Todo conduce a esto: ¡los xenomorfos llegan a la Tierra! El organismo perfecto se encuentra con un planeta de superhumanos. ¿Quién será el primero en caer?" >Eso significa que este cómic mostrará algo que nunca se ha visto en una película de Alien adecuada. De hecho, impedir que los Xenomorfos lleguen a la Tierra se ha tratado como algo tan sacrosanto que es la motivación detrás de las acciones culminantes de los protagonistas en Alien, Alien 3 y Prometheus, por nombrar algunos. Pero esta serie está ambientada un poco en el futuro, fuera de la continuidad típica de las historias de Alien o Avengers, lo que da algo de espacio para jugar.
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STEVE ORLANDO (E) • JACOPO CAMAGNI (A) Portada de RUSSELL DAUTERMAN
La Bruja Escarlata está atrapada en un reino donde su supervivencia depende de la fuerza de su voluntad y de la benevolencia de su supervisora, la Reina de Nevers. Y Darcy Lewis, convencido de que Wanda nunca volverá, decide apostar la supervivencia de Lotkill a la ayuda de un enemigo jurado...